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Couple that with challenging dungeon design and a diverse cast of well-defined characters with unique skills, and you have a 1991 RPG that endures to this day. An imperial soldier questions the cruelty of his leaders and gathers a band of worldly warriors to take on a hidden evil pretty normal, right? Eventually your crew travels from an ephemeral spirit world of summonable monsters where time works differently to the moon on a whale-shaped spaceship. The tale is a perfect mix of hoary tropes and real weirdness.
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Rather than feeling awkward and stilted in the transition, Final Fantasy 4 feels like a series finally finding its true voice. This beloved Super Nintendo game marked Final Fantasy’s shift from a focus on character building to operatic storytelling. With a touch of dress sphere flair, Lightning fights using different costumes whose different abilities result in battles that are faster but even more strategic than those in 13. And somehow the reduction of playable characters to just one makes the 13 series battle system even better.
Final Fantasy’s take on science fiction typically stays in the land of Star Wars fun, but Lightning Returns veers hard into the philosophizing of sci-fi and it’s better for it. Charged with rescuing as many souls as possible before everything ends for good, you play as a time-bending Lightning who’s racked by doubt and fear about her mission. The story revolves around the very last days of a dying universe where most of the physical world has disappeared and no one has died for 500 years. Taking place so far into the future that returning characters barely resemble their original incarnations, Lightning Returns is simultaneously the strangest Final Fantasy game and also one of its most moving. One-Winged Angel and Melodies of Life, while Curtain Call introduced a larger, more eclectic mix of songs. The first Theatrhythm had the obvious musical choices, i.e. Like the original Theatrhythm, Curtain Call takes players on a journey through some of the series’ most well-known memorable scenes during a musical adventures across a world map or fighting monsters with the power of song. It’s the music that you play, using the 3DS' stylus to execute timed taps and swipes, and building a party of classic FF characters and building them up is the aesthetic background giving the game depth and flavor. Theatrhythm Final Fantasy: Curtain Call inverts the relationship between music and game to great effect. “Prelude,” the series’ famous theme song by Nobuo Uematsu, embodies both the delicate thoughtfulness and brassy spirit that makes Final Fantasy itself. The aural tapestry of these games, from their earliest entries on, informs every moment you’re playing. There’s a damn good reason that orchestral performances run around the globe for years on end. Origins has the added benefit of a playable version of the utterly bizarre Final Fantasy 2, whose cruel leveling system basically requires you to attack yourself to build defensive stats.įinal Fantasy’s music is essential to the experience of the games. Here it leads into a striking (albeit dated) intro sequence, something that remains a series staple. There’s still nothing quite like playing through the game’s first dungeon, a quest to defeat a dangerous warlord on behalf of a kingdom that feels like the end of another game. Streamlined but still difficult, it is the best preservation of the strange role-playing that made the series a success. In order to experience the elegant, challenging, and admirably simple Final Fantasy 1 under the best circumstances, the PS1 Final Fantasy Origins version is the best.
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Some re-releases, like the gorgeous but far too easy Game Boy Advance and PSP versions, aren’t ideal either. The NES versions are nearly unplayable by modern standards due to bugs, unfriendly design, and brutal level grind requirements.
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How to play Final Fantasy 1 and 2 today is a complicated question.